By Amara
“The Road” takes us on the post-apocalyptic story of the man, played by Viggo Morganson and the boy (Kodi Smit-McPhee), a father and son doing their best to get along in a world which is no longer suitable for humanity. Constantly teaching his son survival skills and doing his best not to focus on his lost love the man attempts to explain the essence of humanity to his boy who has never known a better world. Add in the ever-present threat of cannibals and you have the film adaptation of this best selling book.
The echoed use of color takes the viewer directly into the unnamed devastation that riddles the world of our two heroes. Moreover, the small sounds from the creeks of not quite abandoned buildings to the harrowing screams of cannibal victims make the world of “the Road” wholly engrossing. Maybe that is the problem.
Riddled with themes of devastation, survival, faith, and family, “The Road” is a piece of cinema significantly different from anything else. With all that said I am not sure this was a horrific and arduous journey one needs to go through.
After I first saw it I didn’t like “The Road”, and I couldn’t figure out who would want to watch this film. Too mature for many audiences and appearing to lack the complication to appeal to intellectual film crowd, it took a few days for me to develop the merit of the film. Now, I can’t stop thinking about the string of moments presented as powerful small scenes that compose “The Road” even though I wish I could.
If you have read the book, then “The Road” delivers a vivid understanding of the story, but before paying to see the film I ask you, is that a story you really want to experience on screen?
2.5/5
