Need For Speed:Undercover

The classic Need for Speed series from EA shifts into high gear with the release of the latest chapter, Need for Speed Undercover.

Players are given a plethora of gaming options ranging from but not limited to the story mode such as beat the clock, race laps, stay ahead of other racers, and cause as much damage as they can.

Gamers can even race for pink slips and take possession of new cars, truly to the victor go the spoils. Players can also take their cars to local shops in order to tweak out the performance or change the paint. Players need to note this is done with real money by using your Playstation or X Box account.
The story casts players as a driver who is trying to work his way into an undercover street gang. In order to do this, gamers must take on and complete a series of assigned missions in order to earn enough credibility which will in turn allow you to bring down the gang from within.

Since racing is the name of the game and cars are the stars, EA has assembled an impressive collection of over 55 cars in the game including the stunning Mitsubishi Evolution which really shines when tearing up the streets.

The games cut scenes are a bit of a mixed bag as they can become cheesy but do help move the story forward. While the games graphics are good, there can be some issues with the lighting effects that on more than one occasion in game I found an area to dark to make out needed details. Maggie Q is a nice addition to the game but she is simply not given enough to do.

The game does not offer realistic physics or driving modes, and players for example will find themselves not able to outrun the police many times, and will have to rely on clever maneuvering and ramming to succeed.

Another issue I had a few times while playing was the occasional pause while playing. While it was not a game breaker, I did find it annoying when it did arise.

In the end, Need for Speed Undercover is a mixed bag as racing fans are likely to want more from the story and racing experience than the game offers but many gamers will be happy that the series is moving in the right direction again.

3 stars out of 5

Mirrors Edge

meIn a Totalitarian society of the near future a girl named Faith is about to have her world torn asunder. Faith is a runner, and she makes her living darting across the rooftops of a sterile city to deliver information.

For Faith, her world is about to be turned inside out and upside down when her twin sister is accused of a murder she did not commit.

Armed with a vital clue located at the scene of the crime, Faith must seek to clear her sister’s name, but this will not be easy as there are legions of troops located throughout the city and she must race at a nonstop pace over rooftops, navigate an amazing series of obstacles to stay alive and clear her sister’s name.

The innovative game features some amazing visuals that allow players to make some incredibly nimble and acrobatic moves raging from roof jumping, slides, fence jumping and ledge climbing to name but a few.

The game does offer combat as faith is armed with a gun and also has the ability to engage and disarm any opponents that she faces but in an innovate twist; players are rewarded for avoiding combat. Two of the games achievement awards are earned by not killing or being shot.

Naturally this puts the emphasis on speed, stealthy, and dexterity so players keen to go toe to toe with the enemies will be sadly disappointed as the games combat system is not the focal point of the game and as such may become frustrating for players used to games with a very high body count.
Not all of the missions take place on rooftops, as there are some truly innovative maps such as a water tank and a subway that tasks players to avoid oncoming trains.

The visual style of the game is amazing as the designers have truly crafted an innovative and stunning virtual city that features aircraft in the skies as well as a functioning city.

The first person prospective of the game allows players to see Faith’s hands and legs as she runs and jumps and the constant sound of her breathing is a reminder of just how much energy she is exerting.
In the end the game is a mixed bag that will largely please or disappoint gamers based on their expectations. I found the graphics and uniqueness of the game overrode any shortcoming such as the combat system and thin plot of the game.

Others may find the game as simply eye candy that does not deliver the action and compelling story that they expected.

I prefer to see Mirrors Edge as an innovative and refreshing new direction in gaming that despite flaws is a technological marvel that has to be played.

3.5 stars out of 5

Left 4 Dead

ldValve Software, the creators of the ground breaking and incredibly successful Half Life series have crafted one of the most addictive and enjoyable interactive experiences ever with their new release Left 4 Dead.

The game began development at Turtle Rock Studios who had previously worked with Valve on various Counter-Strike projects before becoming part of Valve in 2008.

Harkening to the classic George Romero Zombie movies, Left 4 Dead is an interactive 3D shooter that allows players to play as one of four “survivors” as they attempt to flee hordes of infected that have overrun the surrounding city and surrounding areas.

Playing as either Louis, Bill, Zoey, or Francis, players can play along with the A.I. taking control of other the other characters or they can play along with friends or other gamers online. I found this to be a fantastic feature as I have always been a fan of being able to play a game in co-op mode and being able to play through the entire game with your friends adds greatly to the games enjoyment and replay value.

The game is broken down into 4 chapters, each a mini movie that casts players in the role of a character. As the game loads, players see a throwback movie poster that complete with tagline, tells the name of the segment and the parts that each player will be playing.

Each segment contains five levels and concludes with a finale that forces the survivors to face waves of enemies as they attempt to escape. The opening chapter, No Mercy, starts on a rooftop and tasks players with moving through apartment buildings, city streets, subway stations, hospitals and more as they attempt to reach the roof of a hospital for a possible rescue by helicopter.

Armed with pistols, shotguns, machine guns, assault rifles, and explosives ranging from pipe bombs and Molotov Cocktails, players will need every resource at their disposal to survive, as the infected are not the sluggish zombies of old. Instead they run, jump, and swarm, and never once let up their assault.
Aside from infected, there are deadly forms of infected such as the Witch who alerts you with her child like crying before unleashing her fury. There are also Hunters who leap out of nowhere, Boomers, who coat you in vomit that attracts hordes of infected, Smokers who snare players with a long tongue, and the massive Tank who pummel anyone and everything in their paths.

Players are able to load up on weapons they find during the game, but are limited to one explosive, one rifle, and 2 pistols but there are things such as gas and propane cans and other items that can be dropped and ignited to create a very satisfying wall of flame to bake advancing enemies to a crisp.
There are also mounted weapons from time to time when forced to make a stand, and the rapid fire function of a mounted gun can help turn the tide against superior numbers.

Another nice touch is the ability to push enemies away with your weapons as when surrounded or trying to reload, it helps to hit enemies with what your player is holding in order to dispatch them or gain needed space to deploy your weapon.

As chapters unfolded, I was amazed at how well the look, tone, and feel of a Zombie movie had been captured. Other games have tackled Zombie infections before, but none have added the level of immersion of Left 4 Dead, and that includes the recent Dead Rising.

The story of the game is cryptic, as there are some clues scrawled on the floors and ceilings of the maps, as well as on the walls of the safe rooms that conclude each level of a chapter.

The graphics and sound of the game are first rate as aside from various quips and statements that the characters make from time to time, the game has some vast amounts of gore that allow you to mark the walls with everything from the blood of the infected to your bullet marks.

Another nice feature is the use of health packs which are limited to one per character at a time. When a player is wounded, they may need another player to help them up, and bandage them. Since much of the game is based on cooperation between players, gamers may wish to use their health packs to aid teammates in much worse shape than they are, even though this will leave them without a pack until they can locate one later.

If a player dies in game, they can be revived later by other team members provided at least one of them survive which is not always possible from the relentless attacks by overwhelming numbers.
Players are also required to use their heads as shooting everything in site will only attract more enemies and while some may like this feature in order to earn more achievements, I prefer no setting off car alarms with random shots and bumping.
Players also can play as the infected and in a 4vs 4 match pits four human survivors against 4 player controlled infected.

My only regret with the game was that it can be completed in 5-6 hours, but thanks to randomized features and different skill levels, as well as the highly enjoyable game play, I do not think gamers will tire of this game anytime soon.

Valve has once again set very high standards for others to reach to and have crafted a new franchise that not only will help pass the time until the next chapter of Half Life, but will also have gamers clamoring for more chapters.
Left 4 Dead is highly addictive and enjoyable and is the leading candidate for our Game of the Year award.

5 stars out of 5.

Dark Knight Blu Ray

dk
Riding a wave a fan expectations and anticipation as well as surrounding by the tragic death of Heath Ledger, the latest installment in Writer/Director Christopher Nolan’s Batman Series, “The Dark Knight”, has arrived. Christian Bale once again stars in the dual role of troubled billionaire playboy Bruce Wayne and the masked avenger Batman, as he attempts to bring order to Gotham City.
The film picks up shortly after the events of “Batman Begins” and finds Bruce and his trusty sidekick Alfred (Michael Caine), splitting their time between a lofty penthouse and a secret lair while Wayne Manor is being rebuilt. The streets of Gotham have become safer as thanks to Batman many of the bad elements of the city have either been arrested or driven off.
Batman has a new ally in his fight, as new District Attorney Harvey Dent, (Aaron Eckhart), is waging a personal war on crime, and has vowed to stop at nothing to bring the remaining crime bosses and their associates to justice. Bruce is unsure what to make of Dent, and is further troubled by the growing relationship between Dent and his longtime flame Rachel Dawes (Maggie Gyllenhaal).
Unknown to Batman and Dent, the biggest threat ever to face Gotham City is about to move into the limelight, as a mysterious figure known as The Joker (Heath Ledger), has risen from the ranks of violent bank robber to psychopathic mastermind, attempting to get the remaining crime lords to join him in an scheme to kill Batman and prominent heads of the city to bring utter chaos.
As the Joker’s wave of violence, death, and destruction unfolds, Batman is drawn deeper into turmoil, as he is conflicted by his desire to abandon his Batman alter-ego and leave cleaning up the city to Dent and his trusted ally James Gordon (Gary Oldman). Bruce knows that he cannot be with Rachel as long as Batman is a part of his life, and he wishes he can abandon the fight to live a more normal existence.
As the crime wave escalates and the body count starts to mount, Bruce is driven to the edge as he matches wits with his toughest foe yet, a man who seems capable of matching his every move, and seems to be always one step ahead.
What follows is a truly gripping and enjoyably dark tale of murder, deception, action, and intrigue in what is not only the best Batman film ever but simply the best superhero film ever. This is strong praise considering the solid screen versions of “Spider-Man”, “Iron-Man” and the previous “Batman Beyond”, but Nolan has crafted a true cinematic masterpiece.
The key to the film is not only the solid cast but a serious and intelligent script that allows the actors to truly shine. This is not a thinly veiled comic story where plot and character are secondary to visuals and actions; instead it is a brilliant physiological study of madness, human nature, unchecked ambition, and morality, wrapped in a truly epic story.
Nolan deftly juggles the characters and action and never allows one to overshadow the other. He does not lose sight of the fact that despite the amazing and intense actions and visuals, this is a character driven story.
Many times during the press showing of the film I marveled at the high quality of the story and solid acting in the film. The impressive cast is anchored by a truly incredible performance by Ledger as he portrays the Joker as a deeply disturbed individual who mixes genius with absolute ruthless cunning. The mannerisms of the character are such that Ledger simply becomes the demented killer and at no time appears to be an actor portraying a character, but rather the personification of the character brought to reality.
His scenes with Bale are truly memorable and underscore the vast history between the two characters that has been established over the decades, and emphasizes the fact that, in some ways, Batman and the Joker are similar beings, both troubled souls who deal with their pain in different ways.
Bale is very good at portraying the torment his character lives with day in and day out, as well as the dark and seething rage that threatens to overtake him and his constant struggle to keep it under the control. Lesser actors would be lost against the amazing performance of Ledger, but Bale more than holds his own, and provides gripping cinema at its best during his scenes with Ledger and the talented cast.
Morgan Freeman and Michael Caine bring solid support to the film as their characters provide wisdom, morality, and direction for characters that walk the thin line between good and evil. The only real disappointment in the film for me was that Maggie Gyllenhaal is not given enough to do. She ably takes over the role originated by Katie Holmes, but she is not given any chance to stand out and her moments with Bale do not allow her to further her relationship with Bruce Wayne.
Eckhart gives a solid performance as Harvey Dent and his alter ego Two Face, taking great advantage of the time he was allowed to develop Dent. My only wish would have been for Two Face to have more time to develop as his arrival seems more of an add-on than a point of plot emphasis.
That being said, the film is a true masterpiece that proves you do not have to sacrifice character development and story to deliver a solid action film. The story sets up very well for future installments and I am sure I am not alone in wanting another outing for Nolan and Bale.
4.5 stars out of 5

Amaazing picture and sound quality, Features 2 Disc Set wurg Behind the Scenes, special features, production features and much more.

Wall.E Blu ray

wall eBy Gen

To be honest, I didn’t put much faith in a movie about a robot who could only say, “Wa-AA-lleee….” Especially one that’s been by himself for 700 years. Then again, the last Pixar release of talking machines wasn’t exactly a stellar production, either. Give me talking rats or talking fish, at least they had personality. But talking cars? C’mon, now. But maybe Pixar learned from its mistake of verbosity in Cars and decided limited dialogue would bring back the luster of Pixar’s blinding three dimensional success. If that’s how WALL*E came about, then kudos to Pixar. WALL*E not only kept me fascinated, it made me giggle throughout and left me sighing.

In this new offering from the same team who brought you Finding Nemo, The Incredibles and Ratatouille, Earth is a virtual wasteland, and no longer inhabited by humans. The humans are all aboard a space colony called Axiom, pampered and waited on in robot-assisted existence. Left behind is WALL*E, a hardworking Waste Allocation Load Lifter – Earth class robot, has done what he was programmed to do, compact trash and stack it neatly, cleaning the planet one trash cube at a time. Apparently the passing of years all alone has given this clunky, rusty, dented and creaky machine, time to develop a sense of curiosity, a playful personality, and a love for “Hello, Dolly” showtunes and choreography. His best friend is a cockroach, he’s managed to amass a treasure trove of junk, is seemingly content, albeit lonely.

Then along came EVE. A sleek, state-of-the art egg-shaped robot deposited on earth by an Axiom spacecraft to scan its surroundings as an Extra-terrestrial Vegetation Evaluator. WALL*E is instantly enthralled and admires EVE’s speed, versatility and gracefulness from a tentative distance. She exudes efficiency and focus and comes with a laser she’s not afraid to use. EVE has a classified directive and WALL*E, after he’s overcome his fear of her laser, befriends her and inadvertently helps EVE achieve her goal. EVE has to return to the Axiom to report her findings, but WALL*E is desperate to build on this new found friendship. Who can blame him? If you’d been alone for 700 years, wouldn’t you be reluctant to say good bye to a new friend? So WALL*E becomes an accidental tourist of the galaxy, embarking on a thrilling adventure that makes him an anxious stowaway aboard a ship of advanced machines and lazy humans.

Under the direction of by Academy Award(r)-winning writer-director Andrew Stanton, the gifted storytellers and artists who brought charm and innovation to The Incredibles and Ratatouille, elevated their game by enabling WALL*E to convey in beeps and tones and soulful eyes a gamut of emotions that captivates the viewer. Limited dialogue was definitely on the menu, at least between robots. Which makes WALL-E all the more enchanting. It’s up to the viewer to draw on simple exchanges and the robots’ varying intonations of each other’s names to interpret their growing affection for one another.

With its breathtaking animation and deft rendering of heartwarming characters, CGI-animated features don’t get much better than this.
A fantastic voyage with an eco-friendly warning wrapped in a poignant love story, WALL*E restored my faith in Pixar’s well-deserved, acclaim.

4.5 out of 5 stars.

Amazing Picture and sound and loaded with Bonus Features.
New animated short, deleted scenes, and tons of bonus features.

Tropic Thunder DVD

ttDeep in the jungles of Vietnam, one of the most expensive films in history is underway. The film is based upon a best seller by war hero Four Leaf Tayback (Nick Nolte), and stars three of the biggest stars in Hollywood so naturally expectations are very high for the film to become a box office blockbuster.

Unfortunately the production is troubled by one gaffe after another and finds itself lost in budget over runs, issues amongst the stars, and more drama than a Shakespeare festival.

The film is “Tropical Thunder” and Director and star Ben Stiller has assembled a talented cast that includes Jack Black and Robert Downey Jr. in a biting satire of the Hollywood machine.

Stiller stars as Tugg Speedman, a declining action star who sees the war film as his big chance to break away from his recent failures and move into more serious work. Tugg is overshadowed by the presence of multiple Oscar winner Kirk Lazarus (Robert Downey Jr.), who prepares for a part so intensely that he literally becomes the character he is portraying. Toward that end, he has undergone a skin pigment procedure in order to portray an African American soldier.

Rounding out the group, literally, is Jeff Portnoy (Jack Black), the star of flatulence based film comedy series and a man wracked by addiction to the point that he hides his drugs in a candy package and refers to them as his jelly beans.

After a staggeringly costly and impressive pyrotechnic display by the sets explosive expert Cody (Danny Mc Bride), the film is in danger of being halted by the money behind the film, an intensely angry Producer named Les Grossman (Tom Cruise).

In an effort to keep his film alive and salvage their careers, Four Leaf and the film’s Director decide to drop the cast in the thick of the jungle and shoot the film gorilla style with hidden cameras and various tricks to produce a grittier film and get the cast to start acting like the soldiers they are supposed to be portraying.

In a hilarious turn of events, the cast ends up trapped in the jungle and surrounded by members of the locale drug cartel. Convinced that it is all part of the film, Tugg and company blindly trudge along thinking all is going as scripted until things go hopelessly wrong, and force the cast to come to grips with the situation as well as their fragile egos and personal issues.

While the premise of the film is solid, and there are a good number of laughs in the film, for the most part “Tropic Thunder” is a hit or miss venture.

Robert Downey Jr. is amazing in his portrayal as he constantly steals his scenes with his expressions and one liners and almost single handled carries the film during some of the more tedious moments.

Stiller plays the patented Stiller character once again, the slow witted loser with a heart of gold, and despite his efforts, he is just not given enough material to fully push his character over the top, despite some funny moments.

The biggest disappointment for me was Jack Black who is sadly underused in the film. Jack is a very gifted and talented actor but he is given very little to work with, and precious few moments to let his talents shine. Owen Wilson was originally supposed to be in the film, and at times it seems that this part was written more with Wilson’s more subdued style of humor in mind.

Aside from the laughs, the film does have an abundance of celebrity cameos, and this truly helps the film. Sadly though, the plot really does not do justice to the premise nor talent in the film, and unfolds in a very unspectacular manner that had me expecting more.

This is not to say it is a bad film as I found myself laughing on more than one occasion, sadly it became fewer and father between laughs as the film unfolded to a very disappointing finale.

2.5 stars out of 5

2 Disc Set offers strong picture and sound as well as Cast and Filmmaker Commentaries, alternate ending, Deleted and Extended Scenes and much more.

Four Christmases

By Gen Mc Bride

Christmas, for most of the population who celebrate it, is about gathering with family, taking the opportunity to reunite with loved ones and share in the spirit of the holiday. Most of us do this with great anticipation. But not Brad and Kate, an intensely committed couple, played by Vince Vaughn and Reese Witherspoon, who would rather be anywhere but near their respective families at Christmas. So much so, they invent elaborate excuses every year that keep them away.And because it’s always for a good cause, they’re granted a pass by their relatives. This year, they’ll be busy volunteering to inoculate children in some remote third-world country. In actuality, they’ll be vacationing on some tropical island. But the San Francisco fog works against them this Christmas, and they’re captured on camera by a news crew at the airport dealing with the cancelation of their flight, and, of course, there’s no getting away now.

So, why don’t Brad and Kate want to spend Christmas with their families? Well, mainly it’s because they’re products of broken marriages and each of them have two homes to visit. Hence, the title. Brad’s family consists of a bitter old man, played by Robert Duvall and two brothers (Jon Favreau and Tim McGraw) who are amateur cage fighters who take great delight in torturing their attorney brother. His uncoventional mother, a quirky Sissy Spacek, is remarried and Brad has yet to come to terms with a stepfather he knows all too well. Kate’s mother, played by Mary Steenburgen, has found religion and a not-so-angelic devotion to the pastor of her church, while her sister, an earnest Kristin Chenoweth, just can’t say enough about the joys of childbearing.

Brad and Kate, who airily dismiss the idea of marriage and the notion of children, are content to just focus on each other, spicing up their relationship with some sexy role-playing, dance lessons and exotic vacations. But on one Christmas day, traveling from one parent’s home to another, they face their fears four times and discover more and more about each other with each visit. She didn’t know his name wasn’t really Brad. He didn’t know she went to fat camp. She doesn’t know how to give good clues in Taboo. He is inflexible in changing the rules of their relationship. Suddenly, the happily unmarried couple doesn’t feel so happily unmarried.

The movie is good for a few laughs, mainly at the expense of Vince Vaughn’s Brad. I’ve always been a big fan of Vince Vaughn’s rapid-fire stream of consciousness delivery and he certainly has his moments. While it seems like he carries the movie for the most part, Reese isn’t without her chances to shine. Unfortunately, the opportunities are few and far between. Even with it’s stellar cast, the phrase “lighthearted comedy” feels a little generous. It is definitely light, but doesn’t have much heart.

2.5 out of 5 stars.